Adobe offers Audition as part of the Creative Cloud suite, a sound and audio editing and creation application.
$31.49
per month
DaVinci Resolve
Score 9.0 out of 10
N/A
Australian company Blackmagic Design offers their video editing application DaVinci Resolve for a wide range of high quality ultra HD effects, render queue, and video uploading options among other features.
$0
Free
Pricing
Adobe Audition
DaVinci Resolve
Editions & Modules
Audition - Individuals
$31.49
per month
Single App - Business
$33.99
per month
DaVinci Resolve 17
$0.00
Free
DaVinci Resolve Studio 17
$295.00
perpetual license
Offerings
Pricing Offerings
Audition
DaVinci Resolve
Free Trial
Yes
No
Free/Freemium Version
No
No
Premium Consulting/Integration Services
No
No
Entry-level Setup Fee
No setup fee
No setup fee
Additional Details
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More Pricing Information
Community Pulse
Adobe Audition
DaVinci Resolve
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Audition
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DaVinci Resolve
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Chose DaVinci Resolve
DaVinci Resolve and Adobe Premiere Pro are similar, but in leagues of their own. We often use both products interchangeably as they can certainly complement one another. Overall, because of the more intuitive workflow for finalizing and coloring a video in DaVinci Resolve, we …
So, starting off, Cool Edit Pro is NOT a replacement for Adobe Audition. I used to use Cool Edit Pro and there is a world of difference in quality and ability. I use Adobe Audition for post-production editing. it it very well suited for that application. Truncate, fade, add a second or 2 of silence at the end or beginning, save as MP3 or almost any other format a client would want to receive the file in
I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist. The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this. I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.
Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.
Comprehensive - It has video editing, motion graphics, audio, and export tools in one package. It's probably more than most people need, but you don't have to use all of the tools.
Platform and format agnostic - I like that I can work on projects on Mac or PC, and there are regular updates for new codecs and cameras. You can edit pretty much any format with no compatibility worries.
Price - They offer a free version which has most of the functionality. It's a great way to try before you buy and learn the tools. The final price is only $300 per license for the full product. It's a bargain for everything you get, and you don't feel like you're not getting your money's worth, even if you don't use all of the tools.
Some areas of Resolve can leave inexperienced users feeling a bit handicapped. Multiple user sign-ins can be confusing, and determining where to place the database of users might need troubleshooting. The exporting workflow is a bit finicky and will need to be learned to use for even simple capabilities.
Resolve is not friendly on a single screen editing workflow, and even worse on a laptop. Ideally, an editor has multiple screens in the first place, but because a colorist needs to see scopes and monitor, handling both on the same screen, along with all tools is a challenge. This software is best with more screens.
While the NLE capability of Resolve makes for a quick editing workspace, my little experience with it leads me to the conclusion that unless someone desires a completely free alternative to other NLE software, Resolve is not your best friend. Other programs are better.
It isn't easy to just jump in and learn the program, though most of Adobe products aren't easy to use the first time around. They UI is not friendly, and it is cumbersome and intimidating when you first try it. For simple audio changes, it seems to difficult to use, but for the more advanced audio work, it's the perfect solution.
Da Vinci Resolve is up there amongst the big, professional video editing packages like Apple's FinalCutPro and Adobe Premier Pro. To just be included in this league, the package needs to have a plethora of features that the common man does not need. In essence, this overwhelming amount of features makes the product tricky to learn, but once you have the hang of it, it is a dream.
I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.
Not only do they have classes available in Los Angeles, but they'll also allow you to work from home with the manual and demo materials, and then let you test out to get a certification. They get back to you quickly when you email, and they've got a "family" approach to customer service, they make you feel like you're important to them.
I mentioned earlier that I used software from Sony before moving to Audition. I really liked the Sony solution, but when I moved to Audition I found a lot more power and surprisingly, an easier-to-use solution. Working with the timeline in Audition is more intuitive for me. Audition has more effects than the Sony product had and the interface is better organized. Plus, Audition's workspace can be customized in ways I never figured out how to do in the Sony product.
It has a free version that is very complete. It lets everyone on the team use a lot of very good tools for video editing that would be very expensive while using other solutions that are equally excellent but not as generous. The cost is a very good reason but not the only one, the software is actually really good.
Audition makes Audio editing/production so efficient that we're able to produce audio more rapidly than with any other software.
The option to save in multiple file formats, and to save session files, makes it easy to go back and make edits to completed projects with just a few clicks.
All versions of Audition work well together, so whether you have the latest version or an older one, you can pick up any session file and edit as needed.
Bringing all our video development inhouse has helped us save over $9,000 annually. And a huge part of doing it successfully has been because of DaVinci Resolve.
In our first year, we pivoted between DaVinci and Adobe for which would be our primary video production software. The results of both test runs showed that DaVinci needed half the total time investment needed to take a novice through training to completing their first major project when compared to Premiere.
DaVinci's hardware requirements were higher than what we mostly had, so we have had to invest more in better equipment to be able to execute. But overall, it's still a significant positive net return when we consider how much we have saved and earned directly as a result.
