None-Like-It-Out-There
June 15, 2022

None-Like-It-Out-There

Anthony K. Bryan | TrustRadius Reviewer
Score 10 out of 10
Vetted Review
Verified User
Review Source

Overall Satisfaction with DaVinci Resolve

I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist. The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this. I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.
  • DaVinci Resolve gives clients broad assets to make figuring out how to involve the product as simple as conceivable skillfully. It likewise has an extremely energetic client local area for ideal internet-based commitment.
  • Sound handling with Fairlight is additionally non-similar to whatever else out there. It offers exceptionally progressed highlights for the greatest sound on video projects.
  • Working with various sound modules can get a piece bunched with new windows for each. Less difficult and more coordinated usefulness may be better.
  • A portion of the console's easy routes for executing ordinarily utilized capacities can be confounding and carves out the opportunity to become accustomed.
  • Perhaps they could investigate making a more essential variant that doesn't need such a lot of CPU ability to work.
  • DaVinci Resolve gives clients broad assets to make figuring out how to involve the product as simple as conceivable skillfully. It likewise has an extremely energetic client local area for ideal internet-based commitment.
  • Sound handling with Fairlight is additionally non-similar to whatever else out there. It offers exceptionally progressed highlights for the greatest sound on video projects.
  • I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist.
  • The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this.
  • I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.
I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist. The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this. I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.

Do you think DaVinci Resolve delivers good value for the price?

Yes

Are you happy with DaVinci Resolve's feature set?

Yes

Did DaVinci Resolve live up to sales and marketing promises?

Yes

Did implementation of DaVinci Resolve go as expected?

Yes

Would you buy DaVinci Resolve again?

Yes

I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist. The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this. I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.