Great For Realtime VST Effect Chain, Mastering, Quick Saving and Opening
I first used WaveLab back when I was going to college for audio engineering. I ended up becoming a software developer, but I have still …
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What is WaveLab?
Steinberg Media Technologies headquartered in Hamburg offers WaveLab, an audio editing application.
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What is WaveLab?
Steinberg Media Technologies headquartered in Hamburg offers WaveLab, an audio editing application.
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What is WaveLab?
WaveLab Technical Details
| Operating Systems | Unspecified |
|---|---|
| Mobile Application | No |
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I first used WaveLab back when I was going to college for audio engineering. I ended up becoming a software developer, but I have still found a use for WaveLab over the years for various projects. When I worked at Amazon.com, I used WaveLab to edit voice clips for an automated phone system. At Bluefire Productions, I use WaveLab whenever the need for audio editing comes up, particularly when I need a realtime FX chain (e.g., compressor, EQ, reverb). That need does not arise frequently, but when it does, I can quickly get whatever audio-related tasks done that we need, whether it's editing customer development interviews or audio clips for a rich-media EPUB3 interactive ebook.
- Realtime FX Chain - This is the big one for me. I always had both WaveLab and Sound Forge (along with some other audio editing programs, and using Pro Tools at school). Of the two, I preferred Sound Forge for its user interface and hotkeys, but I preferred WaveLab for its realtime FX. The ability to easily chain FX together and tweak them on the fly while the audio is playing is enormous for me.
- Speed - Quite simply, saving a huge file in WaveLab is orders of magnitude faster than in Sound Forge. To this day, I don't know why that is, but it's just faster. Opening and saving files is a breeze in WaveLab, while in some other audio editing programs, it can take 30 seconds or a minute for a large file.
- User Interface and Hotkeys - I've always struggled with the UI in WaveLab, and even after all these years, I am just much faster in Sound Forge. I used to have a job as an audio editor, where I edited hundreds of hours of interviews. By using the "Mark" feature, I could easily cut out silence, "ums" and "ahs," and other audio artifacts in Sound Forge. I struggled to do the same in WaveLab but was never able to work even a fraction as quickly.
- Built-In Audio Processing - I much prefer Sound Forge's built-in audio tools like time-stretching, normalization, compression, and so on. WaveLab has many of the same tools, but I have not found them to be as easy to use, and in some cases, nonexistent (relying instead on a VST plugin).
- Positive Impact - Ability to rapidly edit audio for EPUB3 ebooks and interviews.
- Positive Impact - Being able to hear in realtime how audio effects chains will sound, and to save commonly-used effects chains.
I am relatively agnostic about what audio software I use. I still use WaveLab to this day, 21 years later, for applications where I want to apply effects chains and tweak them in real-time. Sound Forge even can't do this for some reason. But when I have a lot of editing to do, I'll typically open Sound Forge instead, because I prefer the workflow of using the "M" hotkey to mark the audio as it's playing, and then quickly skip through markers and edit out audio artifacts.
When I'm recording a vocalist, however, if I am not using a Digital Audio Workstation (like Ableton Live), then I do prefer WaveLab. I can apply VST effects in real-time to the audio coming in through the sound card input and playing back in their headphones.
When I'm recording a vocalist, however, if I am not using a Digital Audio Workstation (like Ableton Live), then I do prefer WaveLab. I can apply VST effects in real-time to the audio coming in through the sound card input and playing back in their headphones.