ACID Pro is great for electronic music, hip hop, and any loop-based music production such as for videogame soundtracks. It is great for audio-forward production, rather than MIDI-forward. If I were running a lot of hardware synthesizers, or even softsynths using MIDI, I would prefer another DAW since they often have better features, for instance in the shuffle department where Ableton Live has hundreds of shuffles to choose from for MIDI instruments. However, I still prefer time-stretching sound quality in ACID Pro, as well as the lack of audio artifacts in looping. To this day, Ableton Live has still not entirely figured out how to prevent clicks and pops at the beginning and end of loops, especially lower frequencies like basslines, without shaving an arbitrary amount of time off each side (.5 ms by default), resulting in lessened attack and audio artifacts during cuts. I feel that ACID Pro has a better audio engine for looping, although for many purposes this is not noticeable. Still, I prefer ACID Pro for wave-based (rather than MIDI-based) music that makes extensive use of loops.
For just a quick down and dirty audio recording from computer source, Audacity is a no-frills solution that any user can get up and running with quickly without the intimidating functions seen in most standard DAWs. This would be a great tool to start with to record church services, or basic live performances where someone wouldn't want to use a full DAW like Ableton Live or Studio One.
Audio sequencing: It's great for those who like to work primarily with waveforms, rather than MIDI.
Loop-based sequencing: It's perfect for loop-based music.
Envelopes: It's quite easy to do things like volume fades, crossfades, and other envelope-based audio manipulation of the waveform.
Time-stretch: ACID Pro has nice time-stretch filters.
Multitrack nondestructive sequencing: I like the UI for multitrack, and how easy it is to get back to a previous state through undo history, even copying something from a future state and then undoing a number of steps before pasting in the later content.
MIDI: I don't think it is great for MIDI sequencing. There are much better piano rolls and software step sequencers out there.
Built-in effects: ACID Pro has not kept up with competitors like Ableton Live, who licensed Cytomic's Glue Compression for version 9 of their software, an incredible-sounding plugin that would otherwise cost a pretty penny but is now included for free in Live. That being said, I haven't used it but I see they are making strides in this area, with new versions of ACID Pro including third-party licensed effects like Zynpatic STEM MAKER 2 out of the box for free.
Live performance: ACID Pro still doesn't hold a candle to Ableton Live in this department.
Improvising with loops: Despite recently added features like the ACID Morph Pads, the Chopper, and the revised Beatmapper, which allow MIDI triggering of parts of samples as well as creating new sounds using raw audio as an input, I feel that ACID Pro has a ways to go before they harness the improvisatory power you get with something like Stutter Edit, or the performance features of Ableton Live.
Although the UI is very simple, it's not great to look at. Making the program more exciting visually would be a great plus.
The functionality has never been lacking for what it is, but has also not seen major additions in a long time.
The support base of the community is truly impressive, but is also very intimidating to wade through. Having better standardized help avenues would be a benefit to new users.
With no subscription fees unlike other products on the market, I am very confident I will continue using Audacity for my simple audio editing needs. I'm not an expert in audio editing, I'm sure what works for me as a more general user in a public institution would not suit someone more experienced, but I'm very happy with the quality of work I'm able to produce.
Audacity is decently user friendly, while any questions generally have to be answered by externally searching for tutorials or other users encountering the same issue, it is still straightforward, simple, and easily resolved. It's installable on any type of computer, compact, and easy to install. Beginners may have a harder time, but once you know what you're doing, it's very easy to use.
Audacity is great for this, it doesn't require a network connection once downloaded, and previous versions of the software are still functional in my experience. I have never experienced the program crashing, lost work, corrupted files, anything of the sort.
I have never had issues with speed in Audacity, I don't integrate it with other software but the program runs smoothly even with larger jobs. I haven't measured the CPU while using Audacity, but I imagine it's not high compared to other, more professional or specialized programs in the same category.
ACID Pro was the first loop-based DAW I ever used, and I fell in love with it. I was an avid ACID Pro believer for many years, before making the switch to Ableton Live as my primary DAW. Even still, I prefer the sound quality of ACID Pro in many cases. Ableton Live just "sounds" like Ableton, and there are audio artifacts that annoy me. I have been able to work around many of them, but I still have a special place in my arsenal for ACID Pro and use it whenever the chance arises, typically for loop-based wave-heavy music that doesn't need to be performed live and doesn't have a strong reliance on MIDI sequencing.
We have not used direct support for Audacity, other than using the information available on their website, which resolved the issues we were experiencing so we had a good experience in that regard. As this is Open Source FREE software, I don't believe there is direct support available. In saying that, it has the following great support options:
Online documentation and FAQ
Online tutorials covering all functions
Online user forums where questions are asked and answered by other users
Online wiki with more information
With these options most issues should be able to be resolved to get full use from Audacity.
Again I found it helpful to write up a step-by-step tutorial for coworkers based on our institution's standard practices. This combined with support from coworkers to answer questions is very effective for simple everyday use of Audacity. The support in-program is minimal but troubleshooting in the internet age is straightforward.
Due to my history as an audio engineer and having worked at many studios over the years, I've been exposed to a wide range of DAWs from Pro Tools, Cakewalk, and Nuendo to Reaper, Max/MSP/Jitter, and Processing. (These latter two are not really DAWs, per se, but rather systems that can be used for programming audio production — Reaper has features like this as well.) I point this out simply to say that I have experience with a wide range of DAWs and am fairly agnostic about them. I certainly have preferences. If I'm working with an indie rock band or a singer-songwriter, I like Pro Tools, since it is an industry-standard. For hip hop or electronic music, I prefer Ableton Live or ACID Pro, since they make working with loops so much easier, and I believe the sound fidelity is better. I choose ACID Pro specifically for loop-based music which almost entirely comes from waveforms rather than MIDI instruments (real or virtual). I find ACID Pro's MIDI functionality lacking, but the ease of sequencing and working with loops more than makes up for it.
All of the DAW's listed above are great for scoring to picture, which is something Audacity doesn't do. But it's an excellent standalone audio editor, which is a vital tool in any studio. It's very easy to transfer the clip, make the changes, and import it back into your session.
I feel that Audacity is useful, simple, and suited both to casual users and more advanced use cases. There are options for expanding functionality in complex situations, but the option to not mess with it as a beginner is perfectly fine and suited to most everyday uses in my institution.
Positive: Easy to use. Up and running in minutes. Virtually no learning curve, just drag, and drop.
Negative: Limited in its improvisatory and live performance. This has not made a negative impact on the business per se, but can be a creative block when you are trying to come up with a music bed or interstitial and want to experiment with mixing and matching different loops. There's no easy way to do this on the fly in ACID Pro, as there is with Ableton Live.
Positive: ACID Pro now includes more effects than ever, ameliorating the need to purchase plugins.
