Ableton Live vs. Cubase

Ableton Live is a perfect fit for loop-based music like electronic music of all varieties. It is especially suited to minimal techno and IDM, but is really suitable for any style of music that relies extensively on loops and samples. Ableton Live is also well-suited for sequencing out loop-based music through its Live view, while the Composer view allows for enough arranging features that you can take a song from concept to completion fairly easily. Ableton Live is less well-suited for fully recorded music that has no sample-based or looping components. It is less well-suited for non-electronic genres, although it is perfectly fine, but many of the features would not be useful or necessary in these cases.

Incentivized

As Cubase has different levels of product available, there is a starting point for most people in the industry who require this software with the Pro version being the top level. Therefore, it can be built around end user needs rather than paying a fortune for everything and only using 40% as other software products do. It would be less appropriate for beginners, or those who do not wish to use VSTi instruments as there are cheaper products on the market which would allow this (Reaper being one). It is all down to user preference at the end of the day, and there isn't one product that will tick every single box for every user.

Incentivized

• Session View: This is the biggest advantage of Ableton. It provides you this view in which you can create different tracks for the same part of the song. For example:- If you are making the chorus of the song, you can save one thread. Now if you want to try and listen to a different drum set in a new thread, you can simply do that and listen to the new track while preserving the older one. Once you are satisfied with what you're listening, simple record the same in arrangement view and you are done. You can switch to the arrangement view and listen to the final song.
• Pre-installed instruments and loops:- Ableton's library which is included with the software itself while you purchase it is amazing. I bet you will ever need third-party plugins for it. It comes loaded with hundreds of loops and number of instruments which are completely professional and free to use.
• Amazing Graphical User Interface:- Even if you're a beginner in this field, Ableton can be learned within a few hours. The basic functionality of this software is very easy to understand and use. Of course, advanced stuff comes with practice but the basic functioning can be learned and within a few hours you are producing your own music.

Incentivized

• MIDI: MIDI has been an integral part of Cubase since the very beginning. In Cubase 11, working with and editing MIDI has become a very streamlined process.
• Advanced Audio Features: One of my favorite audio features is the ability to generate harmony voices in just one click. This speeds up the production process and helps new singers understand different harmony lines. It also gives the ability to add modern harmony sounds to our tracks.
• Channel Strip: While we use many plugins to emulate famous consoles and outboard equipment, the stock channel strip is outstanding. The included channel strip could easily stand on its own to get a finished sound.
• Control Room: This is an amazing tool that emulates a monitor controller right in the software. Using this allows me to set up headphone cues, headphone mixes, and different monitor configurations. I am able to insert plugins into these chains that do not affect the master bus.

Incentivized

• Version 10 chews up all my CPU but prior versions didn't
• Midi channel automation isn't intuitive, have to make an instrument group
• New version install should overwrite older versions

Incentivized

• Keyboard shortcuts aren't the best, I find it tedious to zoom in and out of the timeline
• Multi-track recording of multiple takes can become hard to manage
• Composing with Midi can be hard, the midi editing is a bit outdated

Incentivized

I haven't had to reach out to support yet, but they're great at keeping me abreast with updates, compatibility issues, new features, and tons of videos on how to use the software. I feel like they're helping me success by giving me tools I can use in my daily work.

Incentivized

Any time I've had to reach out to customer support, they've been fast to respond and answered my questions to the best of their ability. Authorization of the software is easy, and the company is great about emailing you promptly. Overall, they do a great job.

Incentivized

I cannot say that the other programs listed aren't capable. They surely are. But for what I do and my workflow environment, Ableton suits my needs better. I know a lot of people that use Pro Tools and Logic Pro. They are both very powerful programs. I have knowledge of how to use them all. Going into different studios and collaborating with people, you need to know at least the basics of them all. But for me and my studio, we will continue to primarily use Ableton for the foreseeable future.

Pro Tools is an industry standard for a reason, but does come at a cost and with a learning curve. I've found that Cubase is a great place to start, having the ability to do very advanced things, but without the need for it. While my experience has been limited with other DAWs, I think it's been worth the (small) investment.

Incentivized

• Ableton Live allows me to rapidly sequence multitrack music as needed, without getting stuck at any step of the process.
• Ableton Live also allows me to quickly export or upload to SoundCloud for easy sharing. This is a big time-saver.
• The only negative ROI I can think of is the cost. There are competitors like Reaper that are much more affordable and have many of the same features.

Incentivized

• As a result of having Cubase in my inventory I have received 15-20 large scale projects increasing turnover by around 25%
• Ability to work in remote areas with no internet and not have to worry about activation / licence renewals
• The interoperability of Cubase with Nuendo provides increased scope for work with other sound designers / editors / post mixers.

Incentivized