Pro Tools is great for recording multiple different tracks of audio at the same time with live inserts that you can later remove/edit if they do not suit the track. It always makes a backup of any file you copy in which is essential when working with original copies of files for clients, and you can rest easy knowing that any changes made can be reverted without having to start over or having any work be lost. You can compile many different tracks for larger-scale projects and group or bus them together with ease. The software is very user-friendly for beginners and is a great tool overall for anyone looking to edit audio. The only instance it is less suited it would be if you're only making small audio edits with any adobe video software. Also if your business is not heavy on audio editing or recording it may be a costly investment.
Highly recommended for voice over recording and editing. Great for splicing together several different recorded files to create a final track. Our voice over talent typically sends us their unedited recordings with multiple recordings of the script. Then we can listen to the different versions to select the best fit for our client. We just select the sections we like and copy them into a new file, then continue to add the sections until we have the final voice over. It is easy to tighten up or stretch out the recording to better fit our timeline.
We have not used WavePad for recording live music so not sure how well it is suited for that. If you need multi-track editing you will need another product. MixPad makes a nice companion.
Loop-Based Production - Pro Tools is still in the old world of audio recording where you're expected to record a track from live sources. It has less features aimed at production of loop-based music like electronic music and hiphop.
Sample-Based Production - While you can sequence samples, you are expected to use MIDI to trigger the samples, for the most part. Of course, you can sequence them out without using MIDI to trigger a sampler plugin, but that's not the use case Pro Tools was designed for.
Creative Ideation - Pro Tools expects you to figure out what you want to record first, and does not have tools for helping you produce or create the music.
WavePad only works with a single audio track. NCH does offer MixPad for multi-track editing. We also use MixPad occasionally to mix background music with voice.
Easily handles basic audio recording and editing. Advanced editing features are there but if you don't already understand audio editing you will need to watch some of the provided videos to learn how to use the tools.
The times I've had problems with Avid, they've responded within about 48 hours, and most of the time with a reasonable solution. More often than not, however, I've had to resort to forums to get answers, because when I'm having a problem with the software, I can't afford to wait 48 hours for a solution
As discussed above, these other products are likely better suited for home audio production, especially based on their integration of software instruments and their surface-level interface and tools. Pro Tools excels as a tool for professionals, who need to move audio along efficiently towards a polished form, especially in the context of vocal production
We ran across WavePad years ago and used it for some simple music file edits. Cutting out some parts to make it fit better into the time slot. Audacity was recommended by a friend and we installed it and give it a brief try. We didn't find anything bad about it but came back to WavePad.
We are able to work with local voice-over talent and amateurs and that allows us to keep our cost low to our clients.
WavePad is so inexpensive that is pays for itself on the first project. The Master's edition is less than $100 and the standard edition is less than $50.
