German company Magix Software offers ACID Pro, the company's audio editing suite and digital audio workstation (DAW).
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Descript
Score 8.3 out of 10
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Descript is a collaborative audio/video editor, from the company of the same name in San Francisco, that works like a doc. It includes transcription, a screen recorder, publishing, full multitrack editing, and AI tools.
ACID Pro is great for electronic music, hip hop, and any loop-based music production such as for videogame soundtracks. It is great for audio-forward production, rather than MIDI-forward. If I were running a lot of hardware synthesizers, or even softsynths using MIDI, I would prefer another DAW since they often have better features, for instance in the shuffle department where Ableton Live has hundreds of shuffles to choose from for MIDI instruments. However, I still prefer time-stretching sound quality in ACID Pro, as well as the lack of audio artifacts in looping. To this day, Ableton Live has still not entirely figured out how to prevent clicks and pops at the beginning and end of loops, especially lower frequencies like basslines, without shaving an arbitrary amount of time off each side (.5 ms by default), resulting in lessened attack and audio artifacts during cuts. I feel that ACID Pro has a better audio engine for looping, although for many purposes this is not noticeable. Still, I prefer ACID Pro for wave-based (rather than MIDI-based) music that makes extensive use of loops.
Descript is well-suited for fast editing of training videos, tutorials, podcasts, and screen recordings, where transcript-based editing and quick cleanup save time. It works best when you need a simple workflow to record, transcribe, remove filler words, tighten sections, and apply basic enhancement tools like noise cleanup. It is less appropriate for high-stakes projects where losing edits would be very costly, or when you need strong guarantees around long-term project history, backups, and recovery. Based on our experience, if you are doing many hours of edits and expect to revisit projects months later, you may want an additional export/archive process outside the platform.
Audio sequencing: It's great for those who like to work primarily with waveforms, rather than MIDI.
Loop-based sequencing: It's perfect for loop-based music.
Envelopes: It's quite easy to do things like volume fades, crossfades, and other envelope-based audio manipulation of the waveform.
Time-stretch: ACID Pro has nice time-stretch filters.
Multitrack nondestructive sequencing: I like the UI for multitrack, and how easy it is to get back to a previous state through undo history, even copying something from a future state and then undoing a number of steps before pasting in the later content.
MIDI: I don't think it is great for MIDI sequencing. There are much better piano rolls and software step sequencers out there.
Built-in effects: ACID Pro has not kept up with competitors like Ableton Live, who licensed Cytomic's Glue Compression for version 9 of their software, an incredible-sounding plugin that would otherwise cost a pretty penny but is now included for free in Live. That being said, I haven't used it but I see they are making strides in this area, with new versions of ACID Pro including third-party licensed effects like Zynpatic STEM MAKER 2 out of the box for free.
Live performance: ACID Pro still doesn't hold a candle to Ableton Live in this department.
Improvising with loops: Despite recently added features like the ACID Morph Pads, the Chopper, and the revised Beatmapper, which allow MIDI triggering of parts of samples as well as creating new sounds using raw audio as an input, I feel that ACID Pro has a ways to go before they harness the improvisatory power you get with something like Stutter Edit, or the performance features of Ableton Live.
UX Performance. Because it's synced to the cloud, there can be some delay or lag in the UX when editing.
Editing Transcriptions. Machine-based transcriptions always need some post-editing. While Descript makes it pretty easy, I still think there is some room for improvement. For instance, I would like to be able to automatically update for all occurrences of a word after fixing it in the transcript.
Automatic importing of YouTube and hosted video files. I often have to download a video from YouTube to be able to import it into Descript. Would be nice to be able to just paste in the URL to the video and have Descript automatically import it.
It's pretty user friendly, has a easy-moderate learning curve. However during updates they do change the features in different panes / sections that make them harder to find. The text editor is near perfect, some of the other tools such as colour, templates, audio etc. are arranged in a slighlty less intuitive manner
ACID Pro was the first loop-based DAW I ever used, and I fell in love with it. I was an avid ACID Pro believer for many years, before making the switch to Ableton Live as my primary DAW. Even still, I prefer the sound quality of ACID Pro in many cases. Ableton Live just "sounds" like Ableton, and there are audio artifacts that annoy me. I have been able to work around many of them, but I still have a special place in my arsenal for ACID Pro and use it whenever the chance arises, typically for loop-based wave-heavy music that doesn't need to be performed live and doesn't have a strong reliance on MIDI sequencing.
We had a very frustrating experience with Descript and their support.
We used Descript to record and edit several videos. The edits were done around May, mainly using the web app. When we opened those same projects in December, many of them looked like raw recordings again. Cuts were missing and effects were missing.
Support and engineering told us they checked their logs and only saw “creation → recording → transcription,” and they said they could not find proof the edits were ever made. That explanation does not match what we saw in the app. The affected videos show two project backup files. In Descript, backups only appear after you start editing (the app even says so). But when we checked other projects that we know are raw, those do not show any backup files. We asked a simple question: if backups appear only after editing, why do the “raw” affected videos have two backups while truly raw videos have none? They did not answer this clearly.
One rep also said they noticed a spike in network errors in May. That is exactly when the edits were done, which makes it very likely the edits did not save or sync correctly. Instead of admitting this could be the cause, support kept pointing to “no logs of edits” and that it was our fault.
They refunded one month, but called it a “courtesy.” That was disappointing. We also stopped using Descript while they were investigating because we did not feel it was safe to keep working in the platform. If that one-month refund was meant to cover the time we could not use the service during the investigation, that still does not address the real damage. We lost many hours of work, we paid our editor hourly, and we paid for the subscription for convenience and reliability. For the amount of inconvenience and loss we experienced, one month is clearly not enough.
Due to my history as an audio engineer and having worked at many studios over the years, I've been exposed to a wide range of DAWs from Pro Tools, Cakewalk, and Nuendo to Reaper, Max/MSP/Jitter, and Processing. (These latter two are not really DAWs, per se, but rather systems that can be used for programming audio production — Reaper has features like this as well.) I point this out simply to say that I have experience with a wide range of DAWs and am fairly agnostic about them. I certainly have preferences. If I'm working with an indie rock band or a singer-songwriter, I like Pro Tools, since it is an industry-standard. For hip hop or electronic music, I prefer Ableton Live or ACID Pro, since they make working with loops so much easier, and I believe the sound fidelity is better. I choose ACID Pro specifically for loop-based music which almost entirely comes from waveforms rather than MIDI instruments (real or virtual). I find ACID Pro's MIDI functionality lacking, but the ease of sequencing and working with loops more than makes up for it.
Descript is by far superior to the other editing software you can get on Apple computers. It's able to do a lot more and really save us tons of time. Other Adobe apps are great, but take a while to learn. Descript is very user-friendly, making it easy to start from day one with very little training.
Positive: Easy to use. Up and running in minutes. Virtually no learning curve, just drag, and drop.
Negative: Limited in its improvisatory and live performance. This has not made a negative impact on the business per se, but can be a creative block when you are trying to come up with a music bed or interstitial and want to experiment with mixing and matching different loops. There's no easy way to do this on the fly in ACID Pro, as there is with Ableton Live.
Positive: ACID Pro now includes more effects than ever, ameliorating the need to purchase plugins.
I can get video completed much more quickly and cheaply
We can produce more video content because of the speed with which we can have a finished product
We can have shorter timelines for example I record on Monday and we publish on Tuesday which wouldn't be otherwise possible with other methods I've used
