Avid Pro Tools vs. Cubase

Again, Avid Pro Tools is considered the "industry standard" for a reason. The ability to record, mix and edit with such ease is something that I don't find in other DAWs. That may be because I'm a longtime user and so I may be partial. Still, I do use Logic and I'm very familiar with many of the processes in that DAW as well. Avid Pro Tools just does so many of them better and more intuitively. Editing audio in particular is one where Avid Pro Tools has every other DAW beat.

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As Cubase has different levels of product available, there is a starting point for most people in the industry who require this software with the Pro version being the top level. Therefore, it can be built around end user needs rather than paying a fortune for everything and only using 40% as other software products do. It would be less appropriate for beginners, or those who do not wish to use VSTi instruments as there are cheaper products on the market which would allow this (Reaper being one). It is all down to user preference at the end of the day, and there isn't one product that will tick every single box for every user.

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• Variety of plug-ins and the ability to buy 3rd party plug ins and use them well.
• Recording to multiple tracks, live monitoring while recording, live inserts/sends while recording audio.
• Pro Tools always creates a backup of your audio file that you can restore at any point in time.
• Built in metronome, timeline indicators for beat/time.
• Midi controls/ virtual instruments are fantastic.

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• MIDI: MIDI has been an integral part of Cubase since the very beginning. In Cubase 11, working with and editing MIDI has become a very streamlined process.
• Advanced Audio Features: One of my favorite audio features is the ability to generate harmony voices in just one click. This speeds up the production process and helps new singers understand different harmony lines. It also gives the ability to add modern harmony sounds to our tracks.
• Channel Strip: While we use many plugins to emulate famous consoles and outboard equipment, the stock channel strip is outstanding. The included channel strip could easily stand on its own to get a finished sound.
• Control Room: This is an amazing tool that emulates a monitor controller right in the software. Using this allows me to set up headphone cues, headphone mixes, and different monitor configurations. I am able to insert plugins into these chains that do not affect the master bus.

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• Virtual instrument interfaces are clunky and non-intuitive.
• Rename/Move session functions should programmatically update subfolder labels.
• Better, more targeted in-app access/help to the myriad of shortcuts, and scripts already present in PT.

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• Keyboard shortcuts aren't the best, I find it tedious to zoom in and out of the timeline
• Multi-track recording of multiple takes can become hard to manage
• Composing with Midi can be hard, the midi editing is a bit outdated

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It’s very easy to use it on a basic level. There is a learning curve for advanced stuff, but if you have a need to learn the advanced features and shortcuts then it’s not too hard. Plus, you’re probably using it to make money then anyway, so it all works out

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I've never contacted Avid for support issues, but Pro Tools is so widely used that its user community can help you solve virtually any issue you encounter, if the issue isn't solved already by a simple Google search. The fact that Pro Tools is such an industry standard means that you can rest assured hardware manufacturers of audio interfaces test their interfaces with Pro Tools to ensure compatibility.

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Any time I've had to reach out to customer support, they've been fast to respond and answered my questions to the best of their ability. Authorization of the software is easy, and the company is great about emailing you promptly. Overall, they do a great job.

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As discussed above, these other products are likely better suited for home audio production, especially based on their integration of software instruments and their surface-level interface and tools. Pro Tools excels as a tool for professionals, who need to move audio along efficiently towards a polished form, especially in the context of vocal production

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Pro Tools is an industry standard for a reason, but does come at a cost and with a learning curve. I've found that Cubase is a great place to start, having the ability to do very advanced things, but without the need for it. While my experience has been limited with other DAWs, I think it's been worth the (small) investment.

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• Low cost of entry
• Being able to network with employers is vital, and saves time and money
• Add-ons to the main software can be a bit overpriced compared to other DAWs.

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• As a result of having Cubase in my inventory I have received 15-20 large scale projects increasing turnover by around 25%
• Ability to work in remote areas with no internet and not have to worry about activation / licence renewals
• The interoperability of Cubase with Nuendo provides increased scope for work with other sound designers / editors / post mixers.

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