I cannot say that the other programs listed aren't capable. They surely are. But for what I do and my workflow environment, Ableton suits my needs better. I know a lot of people that use Pro Tools and Logic Pro. They are both very powerful programs. I have knowledge of how …
Ableton smokes the competition any day. I believe it is a way better program all around than the rest of the industry leaders. I have used FL Studio as well as GarageBand, and I can safely say that there is no other program that I would rather use for my production needs.
Ableton Live has just the right feature set for electronic music production. It offers more professional features than GarageBand, while not featuring the level of hardware integration or other high end features that you find in Avid Pro Tools. However, I prefer Ableton Live …
While I love Cubase and used it for many years (still do for certain projects), I definitely love Ableton better when it comes to writing music. The shortcuts are much easier to learn and make more sense than Cubase's, which means the time you have to spend setting things up is …
These software are not direct competitors of Ableton, but yes we use them in conjunction with Ableton. Filmora is used for video production and Audacity is used for Audio Editing. So we use all the three software for getting our work done. This combination is highly successful …
I’ve used reaper, fl studio, sonar, cubase, reason and Sony’s DAW. Pro Tools is better than all of them. And easier to use. Plus it’s easier to share sessions with other people when you use Pro Tools. Pro Tools is just more intuitive for even beginners to use. It’s just better
I like Apple Logic Pro. For certain things. The user interface is relatively simple and it can be quick and easy to get a project going. There are also certain features in Logic that don't yet exist in Avid's Pro Tools. But for most things I find it more cumbersome and less …
Originally a PC user, my first music program was "Personal Composer" in 1988. I moved to Cakewalk in the late 90s, which became SONAR. SONAR was a very good DAW and I was happy with its performance and functionality. It was, essentially, as close to Pro Tools for PC as you …
As discussed above, these other products are likely better suited for home audio production, especially based on their integration of software instruments and their surface-level interface and tools. Pro Tools excels as a tool for professionals, who need to move audio along …
Pro Tools has the most prestige and branding of any Digital Audio Workstation (DAW) that I know of. It is the industry standard for professional recording studios, and you'd be hard pressed to find an audio engineer who hasn't used it at one point or another. Most audio …
Pro Tools, while great for audio recording, has always been behind the curve when it comes to MIDI production. Cubase is much better at it, and being able to jump into it quickly and efficiently is vital to my time-management, because I'm often on tight deadlines. Also, Cubase …
I used this at another company, and I found it difficult to use in comparison to Pro Tools. Granted, I wasn't using it for audio-only the way I do Pro Tools. The learning curve was too high for my basic needs. The visual element was confusing, and I had a hard time …
In my opinion, ProTools is the best audio editing tool currently on the market. It's very user-friendly, incredibly intuitive and has so many different functionalities that would take weeks to learn how to use them all and well if you needed them. It is far better suited than …
Ableton can be used in all the scenarios where music production is required. Whether it be professional studios or if it is home productions. It can be used almost anywhere as the features of this software can fit almost in any place. It is also used by professional teams in big companies for marketing and presentation music. I cannot think of any scenario where this is not well suited. If you're making music the professional way, Ableton is the ladder to success.
Pro Tools is great for recording multiple different tracks of audio at the same time with live inserts that you can later remove/edit if they do not suit the track. It always makes a backup of any file you copy in which is essential when working with original copies of files for clients, and you can rest easy knowing that any changes made can be reverted without having to start over or having any work be lost. You can compile many different tracks for larger-scale projects and group or bus them together with ease. The software is very user-friendly for beginners and is a great tool overall for anyone looking to edit audio. The only instance it is less suited it would be if you're only making small audio edits with any adobe video software. Also if your business is not heavy on audio editing or recording it may be a costly investment.
Integration with UAD - I have used Pro Tools with a number of UAD devices over the years and it always integrates perfectly, and saves CPU resources by offloading effects processing to dedicated Digital Signal Processing (DSP) chips on external hardware. Plus, UAD effects sound great!
Multitrack Recording and Arrangement of Music - This is really the big one for Pro Tools. It's for recording and arranging, and that's really its focus.
Import and Export - Pro Tools is great for its ability to import and export multitrack files in a way that mimics traditional analog multitrack recording.
VST Plugin Management - Once you get 100s of VST plugins, it is a major pain to keep them all organized.
Replacing Moved WAVs - When you move the WAV samples, there is the ability to auto-search and replace, but it rarely works. Most often, you have to manually replace the WAVs.
Latency - The ability to autocorrect sync issues due to sound card latency is supposedly a feature offered by Ableton Live, but I have not been able to get it to work correctly, and often have to fix the latency issues myself.
Freeze Occasionally Doesn't Work - Theoretically, you can freeze any track to bounce it to a WAV, but sometimes these WAVs end up blank. This happens with the Access Virus TI-2, for example.
Clicks at Loop Points - Due to quickfades, loops sometimes have clicks in them, particularly if they have a lot of bass frequencies.
It’s very easy to use it on a basic level. There is a learning curve for advanced stuff, but if you have a need to learn the advanced features and shortcuts then it’s not too hard. Plus, you’re probably using it to make money then anyway, so it all works out
I haven't had to reach out to support yet, but they're great at keeping me abreast with updates, compatibility issues, new features, and tons of videos on how to use the software. I feel like they're helping me success by giving me tools I can use in my daily work.
The times I've had problems with Avid, they've responded within about 48 hours, and most of the time with a reasonable solution. More often than not, however, I've had to resort to forums to get answers, because when I'm having a problem with the software, I can't afford to wait 48 hours for a solution
Ableton Live has just the right feature set for electronic music production. It offers more professional features than GarageBand, while not featuring the level of hardware integration or other high end features that you find in Avid Pro Tools. However, I prefer Ableton Live over Avid Pro Tools for electronic music and loop-based or sample-based music production. Pro Tools is great when you are in a studio that has the hardware and you are laying down track after track of recorded audio. But Pro Tools does not have any features to help with songwriting, production, composition, or arrangement. Ableton Live is made with the creator in mind so it has features like the Live view, as distinct from Arrangement view, which allow the creator to easily mix-and-match different sounds and arrangements as a way of discovering what works and what doesn't for a song. Pro Tools is better when the song is already written and you just want to record it, but Ableton Live is better when you are still searching for the eventual arrangement of the song and want to experiment with a lot of different options
I like Apple Logic Pro. For certain things. The user interface is relatively simple and it can be quick and easy to get a project going. There are also certain features in Logic that don't yet exist in Avid's Pro Tools. But for most things I find it more cumbersome and less intuitive than Avid Pro Tools. This might be because I worked my way through the industry using Avid Pro Tools vs. Logic. But Knowing both of them, I still think Avid Pro Tools is the better of the two options.
POSITIVE: Even with the 2022 Price Increase ($299/yr) - One billable hour more than covers my software expense. I could drop Slate and Waves and still have all the tools I need to continue producing.
POSITIVE: "PRO TOOLS POWERED" carries more industry weight than "Reaper Powered" or "We Use Logic."
NEGATIVE: I am continually tempted to upgrade my hardware to take full advantage of Pro Tools including Atmos, etc.