I cannot say that the other programs listed aren't capable. They surely are. But for what I do and my workflow environment, Ableton suits my needs better. I know a lot of people that use Pro Tools and Logic Pro. They are both very powerful programs. I have knowledge of how …
Ableton Live has just the right feature set for electronic music production. It offers more professional features than GarageBand, while not featuring the level of hardware integration or other high end features that you find in Avid Pro Tools. However, I prefer Ableton Live …
We use several different audio editors, the main reason for this is to have software available to cover most staff experience.
However, we find that a good portion of new staff were familiar with Logic Pro X, meaning that there was reduced training time involved by having the …
Logic Pro X is in that sweet spot between amateur Digital Audio Workstations like GarageBand and high end DAWs like Avid Pro Tools. Logic Pro X is good enough to be used on high end productions for film, TV, commercials and such, while remaining inexpensive and accessible, with …
Ableton Live is a perfect fit for loop-based music like electronic music of all varieties. It is especially suited to minimal techno and IDM, but is really suitable for any style of music that relies extensively on loops and samples. Ableton Live is also well-suited for sequencing out loop-based music through its Live view, while the Composer view allows for enough arranging features that you can take a song from concept to completion fairly easily. Ableton Live is less well-suited for fully recorded music that has no sample-based or looping components. It is less well-suited for non-electronic genres, although it is perfectly fine, but many of the features would not be useful or necessary in these cases.
Logic Pro X has been particularly well-suited for recording, mixing, and mastering our full-band audio content. We have used it to capture several songs each year and have mixed and mastered them to professional levels for posting to streaming services. We have been able to use it with our current digital console as a great DAW, seamlessly connecting for the 'live' recording of several services. It is also well-suited for the mixing and editing of podcast and sermon content. Logic Pro X is not the best for mixing livestream audio, in a live environment, even with the added plug-ins and effects available. There is just enough lag that it was not the best option for this usage
It is simply easy to use and serves the function that it needs to serve. Once you get the hang of the basic functionality and a few of the keyboard shortcuts, it will be extremely easy and quick to write out music. The option to go back and transpose to another key without writing the whole thing out again is crucial.
Session View: This is the biggest advantage of Ableton. It provides you this view in which you can create different tracks for the same part of the song. For example:- If you are making the chorus of the song, you can save one thread. Now if you want to try and listen to a different drum set in a new thread, you can simply do that and listen to the new track while preserving the older one. Once you are satisfied with what you're listening, simple record the same in arrangement view and you are done. You can switch to the arrangement view and listen to the final song.
Pre-installed instruments and loops:- Ableton's library which is included with the software itself while you purchase it is amazing. I bet you will ever need third-party plugins for it. It comes loaded with hundreds of loops and number of instruments which are completely professional and free to use.
Amazing Graphical User Interface:- Even if you're a beginner in this field, Ableton can be learned within a few hours. The basic functionality of this software is very easy to understand and use. Of course, advanced stuff comes with practice but the basic functioning can be learned and within a few hours you are producing your own music.
Like every DAW, it takes some time and getting used to, but Logic's tools and interface just make sense to anyone who is familiar with Apple products and music tools.
I haven't had to reach out to support yet, but they're great at keeping me abreast with updates, compatibility issues, new features, and tons of videos on how to use the software. I feel like they're helping me success by giving me tools I can use in my daily work.
The user community of Logic Pro X is vibrant, responsive, and lively. There are many great forums out there where you can solve any problem you encounter, whether it's sound card latency, a certain plugin not working, audio routing, multitrack issues, or virtually anything else you run into. The community is so helpful that I'm giving Logic Pro X a 10 in this department, despite having never contacted their official support department. I've never had to, since there is such a great user community.
Once Sibelius is purchased, the user is given one year of unlimited free customer service to help in using the product. After that first year, users can either pay to utilize customer service with questions or use online helps, which are very helpful. One of the bigger issues I had was getting the sounds to work properly because my Internet connection wasn't consistently working well enough to accommodate the large files, which were taking up to 10 hours to download. The download would fail, and then I'd have to start over. I wanted to get a CD sent to me but was told this would be very costly, and so I declined. I wasn't happy with the lack of customer service in that situation but was eventually able to get the files to download and the software working properly.
I cannot say that the other programs listed aren't capable. They surely are. But for what I do and my workflow environment, Ableton suits my needs better. I know a lot of people that use Pro Tools and Logic Pro. They are both very powerful programs. I have knowledge of how to use them all. Going into different studios and collaborating with people, you need to know at least the basics of them all. But for me and my studio, we will continue to primarily use Ableton for the foreseeable future.
We use several different audio editors, the main reason for this is to have software available to cover most staff experience.
However, we find that a good portion of new staff were familiar with Logic Pro X, meaning that there was reduced training time involved by having the software available. This was perhaps the main reason we made the purchase decision and this fact is testament to how prolific Logic Pro X is in the audio community, you'd be silly not to have it available in any business where content creation is important.
I have not used Finale exclusively, but I know friends/colleagues who have. In the past, it was complicated to transfer and edit any of the music they created for me because it would not transfer to Sibelius. As a result, I would have to request the edits I wanted and ask them to make the changes themselves. If I wanted to make any changes later, it was extremely inconvenient to do so, and I often chose not to, as I did not want to bother anyone other than myself to do any edits after-the-fact. Though it is now possible to transfer Finale files to Sibelius through creating .xml files and then importing as .sib files, the files still do not entirely retain all of the integrity of the original composition (as completed in Finale). Sometimes text and markings are missing, microscopic, or shifted once opened in Sibelius. Text fonts must often be edited. When working with other major music publishers, it has been extremely convenient and helpful to have the same software.
