Avid offers Pro Tools, the company's flagship music and audio editing and recording suite.
$29.99
Per User / Per Month
DaVinci Resolve
Score 9.4 out of 10
N/A
Australian company Blackmagic Design offers their video editing application DaVinci Resolve for a wide range of high quality ultra HD effects, render queue, and video uploading options among other features.
$0
Free
Pricing
Avid Pro Tools
DaVinci Resolve
Editions & Modules
Pro Tools
$29.99
Per User / Per Month
Pro Tools - Ultimate
$79.99
Per User / Per Month
Pro Tools - First
Free
DaVinci Resolve 17
$0.00
Free
DaVinci Resolve Studio 17
$295.00
perpetual license
Offerings
Pricing Offerings
Pro Tools
DaVinci Resolve
Free Trial
No
No
Free/Freemium Version
No
No
Premium Consulting/Integration Services
No
No
Entry-level Setup Fee
No setup fee
No setup fee
Additional Details
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More Pricing Information
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Avid Pro Tools
DaVinci Resolve
Considered Both Products
Pro Tools
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DaVinci Resolve
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Chose DaVinci Resolve
DaVinci Resolve is Adobe's editing suite combined and for a fraction of the price point. Investing in DaVinci Resolve has far more longevity than Creative Cloud. The grading features DaVinci Resolve offers are far better than anything else on the market.
Whereas Cubase and Ableton are great for writing music (my primary job), Resolve is perfect for recording dialogue and editing together an entire timeline for a show. The post tools that are included are top-notch, and if you've ever used a DAW before, DaVinci Resolve will feel …
DaVinci Resolve and Adobe Premiere Pro are similar, but in leagues of their own. We often use both products interchangeably as they can certainly complement one another. Overall, because of the more intuitive workflow for finalizing and coloring a video in DaVinci Resolve, we …
For a small business, DaVinci's price point (free / $300) makes it a strong competitor to Adobe Premiere. FCP costs roughly the same, but then DaVinci's color correction is better. If you do not need all the color correction options, then even the free version could be an option.
Again, Avid Pro Tools is considered the "industry standard" for a reason. The ability to record, mix and edit with such ease is something that I don't find in other DAWs. That may be because I'm a longtime user and so I may be partial. Still, I do use Logic and I'm very familiar with many of the processes in that DAW as well. Avid Pro Tools just does so many of them better and more intuitively. Editing audio in particular is one where Avid Pro Tools has every other DAW beat.
I learned so much from this instructional exercise, and I appreciated how the educator is an expert all-day colorist. The section on sound reduction was particularly instructive. I noticed a few inconsistencies between certain methodologies in this instructional exercise and approaches suggested in the Advanced Color Grading in Resolve 15 instructional exercise (e.g., where to place sound reduction in the hub tree), but this is to be expected given that there is no one right way to do any of this. I also learned a lot about Resolve's "Restoration" modules for working with authentic film. This instructional exercise will come up again and again in my work.
Comprehensive - It has video editing, motion graphics, audio, and export tools in one package. It's probably more than most people need, but you don't have to use all of the tools.
Platform and format agnostic - I like that I can work on projects on Mac or PC, and there are regular updates for new codecs and cameras. You can edit pretty much any format with no compatibility worries.
Price - They offer a free version which has most of the functionality. It's a great way to try before you buy and learn the tools. The final price is only $300 per license for the full product. It's a bargain for everything you get, and you don't feel like you're not getting your money's worth, even if you don't use all of the tools.
Some areas of Resolve can leave inexperienced users feeling a bit handicapped. Multiple user sign-ins can be confusing, and determining where to place the database of users might need troubleshooting. The exporting workflow is a bit finicky and will need to be learned to use for even simple capabilities.
Resolve is not friendly on a single screen editing workflow, and even worse on a laptop. Ideally, an editor has multiple screens in the first place, but because a colorist needs to see scopes and monitor, handling both on the same screen, along with all tools is a challenge. This software is best with more screens.
While the NLE capability of Resolve makes for a quick editing workspace, my little experience with it leads me to the conclusion that unless someone desires a completely free alternative to other NLE software, Resolve is not your best friend. Other programs are better.
It’s very easy to use it on a basic level. There is a learning curve for advanced stuff, but if you have a need to learn the advanced features and shortcuts then it’s not too hard. Plus, you’re probably using it to make money then anyway, so it all works out
I give it 9 out of 10 because I have been using Resolve since 2013 and am happy to see its evolution over the years. The Blackmagic team has really done a great job to make it better on a year-on-year basis. I like its workflow, that it has all a video editor needs, like transcoding, supporting a wide range of codes, video editing capabilities, a professional color grading suite, and improved Fusion and Fairlight, and in the end its export and mastering capability i can export pretty much every formate from it.
I've never contacted Avid for support issues, but Pro Tools is so widely used that its user community can help you solve virtually any issue you encounter, if the issue isn't solved already by a simple Google search. The fact that Pro Tools is such an industry standard means that you can rest assured hardware manufacturers of audio interfaces test their interfaces with Pro Tools to ensure compatibility.
Not only do they have classes available in Los Angeles, but they'll also allow you to work from home with the manual and demo materials, and then let you test out to get a certification. They get back to you quickly when you email, and they've got a "family" approach to customer service, they make you feel like you're important to them.
As discussed above, these other products are likely better suited for home audio production, especially based on their integration of software instruments and their surface-level interface and tools. Pro Tools excels as a tool for professionals, who need to move audio along efficiently towards a polished form, especially in the context of vocal production
It has a free version that is very complete. It lets everyone on the team use a lot of very good tools for video editing that would be very expensive while using other solutions that are equally excellent but not as generous. The cost is a very good reason but not the only one, the software is actually really good.
Most of my videos are not public which is shown to clients. There is a clear improvement of quality which impacts the client interest. It's difficult to put a number but I am much more confident in showing our videos in the sales pitch.