Because GarageBand is included on macOS and iOS purchases, and we already use an Apple environment at our office, it was an easy decision to go with the 'free,' included program for our basic audio editing needs. We did also purchase Logic Pro X, since it is the 'big brother' …
Logic Pro X is the natural successor to GarageBand. GarageBand is a fantastic app, however, it's fairly rudimentary and doesn't have the robust features that Logic Pro X supports. Pro Tools is more expensive but does similar things to Logic. Thankfully, Logic rests in the …
Logic Pro X is in that sweet spot between amateur Digital Audio Workstations like GarageBand and high end DAWs like Avid Pro Tools. Logic Pro X is good enough to be used on high end productions for film, TV, commercials and such, while remaining inexpensive and accessible, with …
Logic Pro X is like the big brother to GarageBand - it can do SO much more and has many more attractive features. The workflow and interface are similar enough to make onboarding a little easier if someone has used GarageBand, but the effects and plug-ins of Logic make it a far …
GarageBand is great for demo tracking for songwriting and and simple audio editing of spoken word or podcast applications. It is also great for making EQ adjustments on audio from other macOS or iOS programs for easy export back into those programs. GarageBand isn't well-suited for mastering, however, and it's a little difficult to get volume levels up in post-production if capture wasn't just right
Logic Pro X has been particularly well-suited for recording, mixing, and mastering our full-band audio content. We have used it to capture several songs each year and have mixed and mastered them to professional levels for posting to streaming services. We have been able to use it with our current digital console as a great DAW, seamlessly connecting for the 'live' recording of several services. It is also well-suited for the mixing and editing of podcast and sermon content. Logic Pro X is not the best for mixing livestream audio, in a live environment, even with the added plug-ins and effects available. There is just enough lag that it was not the best option for this usage
It is simply easy to use and serves the function that it needs to serve. Once you get the hang of the basic functionality and a few of the keyboard shortcuts, it will be extremely easy and quick to write out music. The option to go back and transpose to another key without writing the whole thing out again is crucial.
It's dang simple for anybody who knows even a little about recording software. It's not something just anyone can open and immediately be a professional at, but things are clearly marked, the help documentation is great, and it's easy to explore and discover functionality that can aid in your production workflow.
Like every DAW, it takes some time and getting used to, but Logic's tools and interface just make sense to anyone who is familiar with Apple products and music tools.
The user community of Logic Pro X is vibrant, responsive, and lively. There are many great forums out there where you can solve any problem you encounter, whether it's sound card latency, a certain plugin not working, audio routing, multitrack issues, or virtually anything else you run into. The community is so helpful that I'm giving Logic Pro X a 10 in this department, despite having never contacted their official support department. I've never had to, since there is such a great user community.
Once Sibelius is purchased, the user is given one year of unlimited free customer service to help in using the product. After that first year, users can either pay to utilize customer service with questions or use online helps, which are very helpful. One of the bigger issues I had was getting the sounds to work properly because my Internet connection wasn't consistently working well enough to accommodate the large files, which were taking up to 10 hours to download. The download would fail, and then I'd have to start over. I wanted to get a CD sent to me but was told this would be very costly, and so I declined. I wasn't happy with the lack of customer service in that situation but was eventually able to get the files to download and the software working properly.
Adobe Audition is another great audio editing/recording software, in fact it is much better compared to GarageBand and has much more effects. However, it has a pretty large price tag while GarageBand is completely free. Also, Adobe Audition has a very steep learning curve which makes it hard for our staff to get used to the software. Considering all this and after deep analysis we decided to opt for GarageBand, well at least for now. We may change in the future depending on our needs.
We use several different audio editors, the main reason for this is to have software available to cover most staff experience.
However, we find that a good portion of new staff were familiar with Logic Pro X, meaning that there was reduced training time involved by having the software available. This was perhaps the main reason we made the purchase decision and this fact is testament to how prolific Logic Pro X is in the audio community, you'd be silly not to have it available in any business where content creation is important.
I have not used Finale exclusively, but I know friends/colleagues who have. In the past, it was complicated to transfer and edit any of the music they created for me because it would not transfer to Sibelius. As a result, I would have to request the edits I wanted and ask them to make the changes themselves. If I wanted to make any changes later, it was extremely inconvenient to do so, and I often chose not to, as I did not want to bother anyone other than myself to do any edits after-the-fact. Though it is now possible to transfer Finale files to Sibelius through creating .xml files and then importing as .sib files, the files still do not entirely retain all of the integrity of the original composition (as completed in Finale). Sometimes text and markings are missing, microscopic, or shifted once opened in Sibelius. Text fonts must often be edited. When working with other major music publishers, it has been extremely convenient and helpful to have the same software.
