Adobe Audition vs. GarageBand

I would recommend the program if they need to record some VO and already have the Adobe Suite. If they don't use Creative Cloud, I would say there are better programs for audio production on the market. However, the fact that I have it with Adobe Creative Cloud is beneficial and makes me choose it over other programs.

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GarageBand is great for demo tracking for songwriting and and simple audio editing of spoken word or podcast applications. It is also great for making EQ adjustments on audio from other macOS or iOS programs for easy export back into those programs. GarageBand isn't well-suited for mastering, however, and it's a little difficult to get volume levels up in post-production if capture wasn't just right

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• Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
• Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
• Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
• Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
• High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
• Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.

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• It is easy to edit in the way that you can highlight something and simply delete a part of what you are working on.
• I love that I can drag two or more tracks together to keep them in sync when editing.
• It's not difficult to add a click track when you need it.
• I think the whole process of highlighting, cutting out parts and the basic editing doesn't take huge amounts of time because it seems intuitive.

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• It is a very expensive software, as is all of Adobe's other software.
• The interface and all the features can be difficult [for] beginners to get the hang of and get used to.
• When live listening to your recording with effects, there is an unavoidable latency which doesn't help.

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• Can't save the preferences for the tracks such as turning off reverb etc.
• Project files are large, a 30-minute podcast episode with only 4 tracks is typically around 1 GB
• Auto feature to silence guest not talking
• Optimize for podcasters (I use the old version 6 as new versions hasn't had podcast options)

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Adobe Audition is now my primary software choice for all audio production. Since I have invested so much time in learning many of the features, I have no need to adopt another app or platform for the foreseeable future. As an avid Adobe fan, I trust my choice in selecting Audition and have no plans to change

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It isn't easy to just jump in and learn the program, though most of Adobe products aren't easy to use the first time around. They UI is not friendly, and it is cumbersome and intimidating when you first try it. For simple audio changes, it seems to difficult to use, but for the more advanced audio work, it's the perfect solution.

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It's dang simple for anybody who knows even a little about recording software. It's not something just anyone can open and immediately be a professional at, but things are clearly marked, the help documentation is great, and it's easy to explore and discover functionality that can aid in your production workflow.

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I’d rate Adobe Audition’s availability as very reliable. It’s almost always available when we need it. We’ve had very few issues with crashes or errors, and no unplanned outages. As long as the system meets the hardware requirements and everything’s kept up to date, it runs smoothly. Any hiccups we’ve had were usually tied to updates or third-party plugins—not the app itself.

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I’d rate Adobe Audition’s performance as strong. Projects load quickly, and editing—whether it's applying effects, scrubbing audio, or rendering—runs smoothly, even with larger files. Exports complete in a reasonable time, especially with solid hardware. It also plays well with other Adobe tools like Premiere Pro without slowing things down. As long as your system meets the specs, performance is fast and stable across the board.

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I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.

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I have never tried it. It's just simple, and you should be able to navigate most of it via self-exploration and Apple Help.

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Adobe offers a good mix of tutorials, videos, and help articles that cover the basics and some advanced features. It’s easy to follow, especially for beginners. That said, if you're looking for deep dives or very specific use cases, you might need to look beyond Adobe's official resources—forums and third-party videos helped fill in those gaps.

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Overall, I was pretty satisfied with the implementation. Setting up Adobe Audition was straightforward, especially since it fit well with the other Adobe tools we were already using. There were a few small bumps in getting everyone up to speed, but nothing major. Once we had things configured the way we wanted, it ran smoothly and became part of our regular workflow pretty quickly.

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Although I don't use it NEARLY to it's full capacity, Audition is the clear winner in post-production editing software. Audacity would likely come the closest, but its free. So remember... you get what you pay for. When I export a final track from Protools, I immediately open it in Audition to make sure it doesn't look "smashed" or that the transients aren't too tall

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Adobe Audition is another great audio editing/recording software, in fact it is much better compared to GarageBand and has much more effects. However, it has a pretty large price tag while GarageBand is completely free. Also, Adobe Audition has a very steep learning curve which makes it hard for our staff to get used to the software. Considering all this and after deep analysis we decided to opt for GarageBand, well at least for now. We may change in the future depending on our needs.

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Adobe charges a monthly subscription fee for all its software.

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I’d rate Adobe Audition’s scalability as strong overall. It works well across different departments—whether it's for podcasting, video production, or training content. Since it’s part of the Adobe Creative Cloud, it’s easy to manage licenses and updates across teams and locations. The only limitation might be that it’s single-user per license, so collaboration isn’t real-time like some cloud tools, but for most audio workflows, that hasn’t been a major issue.

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I’d rate the professional services for Adobe Audition as good. When we used them, the team was knowledgeable and helped us set up workflows and troubleshoot issues. While not always necessary for basic use, their support was valuable for more complex needs or training.

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• Since I already have the Adobe Creative Suite, Audition is a sunk cost. But since I have it and it fits my needs perfectly, I don't have to purchase a separate product, which saves me money.
• Since Audition looks and feels like the other apps in the Creative Suite, it's that much more approachable if you already use Photoshop, After Effects, etc. While that obviously doesn't substitute for training, users of other Adobe apps should feel right at home.
• Even if I didn't have the Creative Suite, I would still buy Audition. At $20/mo, it's still the product I would want to perform audio editing.

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• Amazing value
• Very easy to get started
• For novices and professionals alike
• Loops library is simply awesome
• Export capabilities very effective to share tracks

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