Adobe offers Audition as part of the Creative Cloud suite, a sound and audio editing and creation application.
$31.49
per month
VEGAS Pro
Score 9.4 out of 10
N/A
MAGIX Software headquartered in Berlin offers the VEGAS Pro line of video editing applications which combines the company's Sound Forge audio editing suite and a wide range of movie production features and effects.
Due to [what I believe to be] a decline in software stability and lack of customer support I will be using Adobe Creative Cloud moving forward. I urge others to look at other options and companies that invest in customer support.
I had Adobe Premiere but I don't like having to subscribe. VEGAS Pro is a one-time purchase which was a better economical and financial decision for me. My friends that are editors didn't like when Apple changed Final Cut so I did not elect to use it when I had the chance to. …
VEGAS Pro has more features than iMovie but is nowhere near as complex (or robust, for better or worse) as Adobe Premiere Pro. It is also not as robust as the Avid video editing suite, including Avid Media Composer. However, I do not have much familiarity with that product line …
I would recommend the program if they need to record some VO and already have the Adobe Suite. If they don't use Creative Cloud, I would say there are better programs for audio production on the market. However, the fact that I have it with Adobe Creative Cloud is beneficial and makes me choose it over other programs.
VEGAS Pro [in my opinion] has so much potential to be great. So many powerful features for audio and video editing. Unfortunately, after the sale from Sony to MAGIX [I believe] the software has become less stable even on CAD-certified workstations. [From what I've experienced] there is no customer service telephone number or support email address. All support requests must go through their website and my last requests have gone unanswered after a month. When Sony owned the software I [was] able to get on a live chat with a tech who would solve issues in minutes, not days. Not true today [per my experience]. With the decline in reliability and lack of customer support, I can no longer recommend a MAGIX product.
Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.
One of the things that I love about VEGAS Pro is that I can do automatic tracking control to an object or image, this is a very remarkable function in VEGAS Pro, because this way you can add better mobility to the video in general, in addition , you can focus the video view to a specific object.
The image edits with the VEGAS Pro filters are really fantastic. For us, having a good visualization and definition of our images is very important, which is why this function has provided really remarkable results. We have been able to modify the tonality of the images that we add to the video and we have also managed to change the colors thanks to the filters available for video in general. These filters are very varied, I can add a filter to give my image a warm touch, a touch of cold or sunset.
At the bottom of the platform, the audio barrier is shown, where you can add several audio tracks and thus be able to modify the audio of the entire video for every second that passes, however, this function is much more impressive as it also allows you to add another audio barrier to play two audio tracks at the same time.
The autosave is fantastic, VEGAS Pro has an excellent autosave system capable of saving all the progress that has been made in the video that is being edited, the autosave does not consume additional capacity to the computer, so it is very easy to have it activated and not worry about computer performance.
While Vegas Pro does handle 4k video, I find that it still struggles a bit to keep up when playing back or processing 4k. I suspect this is at least partially due to the fact that the computer I am using for Vegas is not quite powerful enough to really handle 4k efficiently.
Adobe Audition is now my primary software choice for all audio production. Since I have invested so much time in learning many of the features, I have no need to adopt another app or platform for the foreseeable future. As an avid Adobe fan, I trust my choice in selecting Audition and have no plans to change
The best and easiest editor I have ever used. I have used everything as an Emmy-Award-winning news journalist, and this program has always done what I needed it to do. Nothing less than the best out there and can get the job done.
It isn't easy to just jump in and learn the program, though most of Adobe products aren't easy to use the first time around. They UI is not friendly, and it is cumbersome and intimidating when you first try it. For simple audio changes, it seems to difficult to use, but for the more advanced audio work, it's the perfect solution.
I’d rate Adobe Audition’s availability as very reliable. It’s almost always available when we need it. We’ve had very few issues with crashes or errors, and no unplanned outages. As long as the system meets the hardware requirements and everything’s kept up to date, it runs smoothly. Any hiccups we’ve had were usually tied to updates or third-party plugins—not the app itself.
I’d rate Adobe Audition’s performance as strong. Projects load quickly, and editing—whether it's applying effects, scrubbing audio, or rendering—runs smoothly, even with larger files. Exports complete in a reasonable time, especially with solid hardware. It also plays well with other Adobe tools like Premiere Pro without slowing things down. As long as your system meets the specs, performance is fast and stable across the board.
I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.
Because Vegas Pro is widely used software, the user interface is similar to smartphone editing tools. That is why learning time is very short in Vegas Pro. Whenever you have a question YouTube is your best support assistant. You don't need to contact anyone.
Adobe offers a good mix of tutorials, videos, and help articles that cover the basics and some advanced features. It’s easy to follow, especially for beginners. That said, if you're looking for deep dives or very specific use cases, you might need to look beyond Adobe's official resources—forums and third-party videos helped fill in those gaps.
Overall, I was pretty satisfied with the implementation. Setting up Adobe Audition was straightforward, especially since it fit well with the other Adobe tools we were already using. There were a few small bumps in getting everyone up to speed, but nothing major. Once we had things configured the way we wanted, it ran smoothly and became part of our regular workflow pretty quickly.
Although I don't use it NEARLY to it's full capacity, Audition is the clear winner in post-production editing software. Audacity would likely come the closest, but its free. So remember... you get what you pay for. When I export a final track from Protools, I immediately open it in Audition to make sure it doesn't look "smashed" or that the transients aren't too tall
I had Adobe Premiere but I don't like having to subscribe. VEGAS Pro is a one-time purchase which was a better economical and financial decision for me. My friends that are editors didn't like when Apple changed Final Cut so I did not elect to use it when I had the chance to. I believe it is just as good as other platforms just not as high profile.
I’d rate Adobe Audition’s scalability as strong overall. It works well across different departments—whether it's for podcasting, video production, or training content. Since it’s part of the Adobe Creative Cloud, it’s easy to manage licenses and updates across teams and locations. The only limitation might be that it’s single-user per license, so collaboration isn’t real-time like some cloud tools, but for most audio workflows, that hasn’t been a major issue.
I’d rate the professional services for Adobe Audition as good. When we used them, the team was knowledgeable and helped us set up workflows and troubleshoot issues. While not always necessary for basic use, their support was valuable for more complex needs or training.
Since I already have the Adobe Creative Suite, Audition is a sunk cost. But since I have it and it fits my needs perfectly, I don't have to purchase a separate product, which saves me money.
Since Audition looks and feels like the other apps in the Creative Suite, it's that much more approachable if you already use Photoshop, After Effects, etc. While that obviously doesn't substitute for training, users of other Adobe apps should feel right at home.
Even if I didn't have the Creative Suite, I would still buy Audition. At $20/mo, it's still the product I would want to perform audio editing.
