Anchor, by Spotify, is a podcasting platform, enabling the user to create, distribute, and monetize a podcast. It is available via a free plan. It features built-in uploading, recording, and editing tools so the can easily create and publish episodes.
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WaveLab
Score 9.0 out of 10
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Steinberg Media Technologies headquartered in Hamburg offers WaveLab, an audio editing application.
Anchor is a great podcast app for folks just starting out with podcasting or who want some of the technical things to be streamlined and simplified. With the built-in audience of Spotify subscribers, it's also easy to get started with a listening audience. There are easy ways to connect to other Podcast platforms and easy ways to integrate ads if that's something you want to do as a podcaster.
WaveLab is well-suited when you want to apply a lot of VST FX processing to audio, or do a real-time recording and be able to hear how the FX processing sounds as you're recording. It is an excellent tool for recording in the studio. However, it lacks the sophisticated multitrack capabilities you find in a Digital Audio Workstation (DAW), instead of focusing on the features of an audio editor. It is also great for quickly opening, editing, and saving a lot of files because of how fast it is.
Realtime FX Chain - This is the big one for me. I always had both WaveLab and Sound Forge (along with some other audio editing programs, and using Pro Tools at school). Of the two, I preferred Sound Forge for its user interface and hotkeys, but I preferred WaveLab for its realtime FX. The ability to easily chain FX together and tweak them on the fly while the audio is playing is enormous for me.
Speed - Quite simply, saving a huge file in WaveLab is orders of magnitude faster than in Sound Forge. To this day, I don't know why that is, but it's just faster. Opening and saving files is a breeze in WaveLab, while in some other audio editing programs, it can take 30 seconds or a minute for a large file.
Monetization features are currently present in only a limited number of countries, I look forward to the various monetization features like pre-roll and mid-roll ads to be made available soon in my country India.
Add more platforms to its distribution services such as Amazon Music and similar ones so that we would not be required to submit the RSS Feed to platforms manually.
User Interface and Hotkeys - I've always struggled with the UI in WaveLab, and even after all these years, I am just much faster in Sound Forge. I used to have a job as an audio editor, where I edited hundreds of hours of interviews. By using the "Mark" feature, I could easily cut out silence, "ums" and "ahs," and other audio artifacts in Sound Forge. I struggled to do the same in WaveLab but was never able to work even a fraction as quickly.
Built-In Audio Processing - I much prefer Sound Forge's built-in audio tools like time-stretching, normalization, compression, and so on. WaveLab has many of the same tools, but I have not found them to be as easy to use, and in some cases, nonexistent (relying instead on a VST plugin).
I have never contacted Steinberg, so I am not sure how responsive they are. Still, I've watched countless tutorials on audio editing and mastering in WaveLab, so I am pleased with the level of support available from the online community of users. It is a much-loved program among audio industry professionals, and there are all sorts of great tutorials, tips, and tricks available online.
Anchor is less expensive and, in my opinion, much easier to use than SoundCloud for podcasting. Anchor makes syndication easy, and their recording and editing interfaces are clean and intuitive. SoundCloud seemed somewhat cumbersome to use, and I didn't care for its UI. Honestly, they seem better suited for other use cases.
I am relatively agnostic about what audio software I use. I still use WaveLab to this day, 21 years later, for applications where I want to apply effects chains and tweak them in real-time. Sound Forge even can't do this for some reason. But when I have a lot of editing to do, I'll typically open Sound Forge instead, because I prefer the workflow of using the "M" hotkey to mark the audio as it's playing, and then quickly skip through markers and edit out audio artifacts. When I'm recording a vocalist, however, if I am not using a Digital Audio Workstation (like Ableton Live), then I do prefer WaveLab. I can apply VST effects in real-time to the audio coming in through the sound card input and playing back in their headphones.
