So, starting off, Cool Edit Pro is NOT a replacement for Adobe Audition. I used to use Cool Edit Pro and there is a world of difference in quality and ability. I use Adobe Audition for post-production editing. it it very well suited for that application. Truncate, fade, add a second or 2 of silence at the end or beginning, save as MP3 or almost any other format a client would want to receive the file in
It is simply easy to use and serves the function that it needs to serve. Once you get the hang of the basic functionality and a few of the keyboard shortcuts, it will be extremely easy and quick to write out music. The option to go back and transpose to another key without writing the whole thing out again is crucial.
Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.
The only drawback to using Adobe Audition is that it is incredibly powerful with so many features that it can be very time consuming and complicated, especially when first using the product. With such a vast array of functionality, even finding the features you want to use can be quite time consuming or confusing. Thankfully, Adobe provides extensive documentation and tutorials.
I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.
Once Sibelius is purchased, the user is given one year of unlimited free customer service to help in using the product. After that first year, users can either pay to utilize customer service with questions or use online helps, which are very helpful. One of the bigger issues I had was getting the sounds to work properly because my Internet connection wasn't consistently working well enough to accommodate the large files, which were taking up to 10 hours to download. The download would fail, and then I'd have to start over. I wanted to get a CD sent to me but was told this would be very costly, and so I declined. I wasn't happy with the lack of customer service in that situation but was eventually able to get the files to download and the software working properly.
I mentioned earlier that I used software from Sony before moving to Audition. I really liked the Sony solution, but when I moved to Audition I found a lot more power and surprisingly, an easier-to-use solution. Working with the timeline in Audition is more intuitive for me. Audition has more effects than the Sony product had and the interface is better organized. Plus, Audition's workspace can be customized in ways I never figured out how to do in the Sony product.
I have not used Finale exclusively, but I know friends/colleagues who have. In the past, it was complicated to transfer and edit any of the music they created for me because it would not transfer to Sibelius. As a result, I would have to request the edits I wanted and ask them to make the changes themselves. If I wanted to make any changes later, it was extremely inconvenient to do so, and I often chose not to, as I did not want to bother anyone other than myself to do any edits after-the-fact. Though it is now possible to transfer Finale files to Sibelius through creating .xml files and then importing as .sib files, the files still do not entirely retain all of the integrity of the original composition (as completed in Finale). Sometimes text and markings are missing, microscopic, or shifted once opened in Sibelius. Text fonts must often be edited. When working with other major music publishers, it has been extremely convenient and helpful to have the same software.
Audition makes Audio editing/production so efficient that we're able to produce audio more rapidly than with any other software.
The option to save in multiple file formats, and to save session files, makes it easy to go back and make edits to completed projects with just a few clicks.
All versions of Audition work well together, so whether you have the latest version or an older one, you can pick up any session file and edit as needed.