We chose Cubase in the beginning due to price differences between Pro Tools and Cubase. As we learned to use Cubase, we realized the flexibility between MIDI and audio was far more advanced than any other product on the market. We still feel like the MIDI implementation in …
So, starting off, Cool Edit Pro is NOT a replacement for Adobe Audition. I used to use Cool Edit Pro and there is a world of difference in quality and ability. I use Adobe Audition for post-production editing. it it very well suited for that application. Truncate, fade, add a second or 2 of silence at the end or beginning, save as MP3 or almost any other format a client would want to receive the file in
I have been a longtime fan of Cubase and would recommend it to anyone, whether they are just starting in recording or a seasoned professional. I find that it is really strong in the pre-production and production phases of a song. Tools like the arranger track, track versions, and the chord track make writing and experimenting very easy. I have used these tools on almost every song that I have started from the writing phase. I am able to experiment with different variations of a song, different channel settings, and even completely different arrangements all with just a few clicks. My writing process and speed have improved so much over the last few versions of Cubase. We have also enjoyed working with the mixing process. The mixers in Cubase are laid out much like a regular console. So for an old timer like me, the learning curve is very low. Cubase did a very good job with layout and labeling. Things are labeled what you would expect them to be and laid out in an order that makes sense. The other part of the mixer that makes it great is the ability to color code and organize tracks. My mix time has drastically decreased since using Cubase.
Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.
It isn't easy to just jump in and learn the program, though most of Adobe products aren't easy to use the first time around. They UI is not friendly, and it is cumbersome and intimidating when you first try it. For simple audio changes, it seems to difficult to use, but for the more advanced audio work, it's the perfect solution.
I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.
Any time I've had to reach out to customer support, they've been fast to respond and answered my questions to the best of their ability. Authorization of the software is easy, and the company is great about emailing you promptly. Overall, they do a great job.
I mentioned earlier that I used software from Sony before moving to Audition. I really liked the Sony solution, but when I moved to Audition I found a lot more power and surprisingly, an easier-to-use solution. Working with the timeline in Audition is more intuitive for me. Audition has more effects than the Sony product had and the interface is better organized. Plus, Audition's workspace can be customized in ways I never figured out how to do in the Sony product.
We chose Cubase in the beginning due to price differences between Pro Tools and Cubase. As we learned to use Cubase, we realized the flexibility between MIDI and audio was far more advanced than any other product on the market. We still feel like the MIDI implementation in Cubase is beyond any other product on the market. We have also found that the audio engine alone is on par with all of the industry standard software. During the 18 years we have used Cubase, we have noticed more and more high-end mixing, mastering and production studios using Cubase in their workflows.
Audition makes Audio editing/production so efficient that we're able to produce audio more rapidly than with any other software.
The option to save in multiple file formats, and to save session files, makes it easy to go back and make edits to completed projects with just a few clicks.
All versions of Audition work well together, so whether you have the latest version or an older one, you can pick up any session file and edit as needed.
Using Cubase over something like Protools means that new users are more likely to be successful during training and due to this, decrease training time.
More trained staff means that we are able to complete more projects faster instead of waiting for a more skilled staff member to become available.
Implementation on-site for on-site recording has been very reliable and has decreased the amount of failed recordings during events.
