There are many different options available for audio editing tools in a variety of costs, from free (Audacity and GarageBand) to paid (Logic Pro X). Adobe Audition offers significantly more tools and effects processing than the free options and a better, cross platform, …
Audacity is a free and open-source alternative to Adobe Audition. We have used both softwares and can tell you that Audacity has some good features but not even close to Adobe Audition. However, Audacity is completely free and Adobe Audition is really expensive, which kind of …
Adobe Audition definitely holds its own against Logic Pro. They are fairly similar in usability, support, tools, etc. My choice on either would largely depend on the video editing software I'm using. If I were using Final Cut Pro X I would most likely utilize Logic Pro. It's …
Each has their strengths in different areas. I would say Logic Pro X is the best for music production and mixing, whereas Audition is good with podcasts and audio for video, and Pro Tools is an all-around powerhouse for big projects.
So, starting off, Cool Edit Pro is NOT a replacement for Adobe Audition. I used to use Cool Edit Pro and there is a world of difference in quality and ability. I use Adobe Audition for post-production editing. it it very well suited for that application. Truncate, fade, add a second or 2 of silence at the end or beginning, save as MP3 or almost any other format a client would want to receive the file in
Logic Pro X has been particularly well-suited for recording, mixing, and mastering our full-band audio content. We have used it to capture several songs each year and have mixed and mastered them to professional levels for posting to streaming services. We have been able to use it with our current digital console as a great DAW, seamlessly connecting for the 'live' recording of several services. It is also well-suited for the mixing and editing of podcast and sermon content. Logic Pro X is not the best for mixing livestream audio, in a live environment, even with the added plug-ins and effects available. There is just enough lag that it was not the best option for this usage
Sound waves - Sound originates in the air, arising from its vibrations. The source of air vibrations can be, for example, a person's vocal cords, a drum or loudspeaker membrane, or guitar strings. These vibrations push nearby molecules together, slightly increasing the air pressure.
Bit depth - The bit depth (depth) of digital audio determines the dynamic range for an audio file. When a sound wave is digitized (sampled), each sample is assigned an amplitude value that most closely matches the amplitude of the original sound wave. The higher the bit depth value, the greater the dynamic range, the lower the noise level, and the higher the digital sound quality.
Automatic filters and special effects - Adobe Audition includes a suite of new sound effects ranging from circuit-optimized Surround Reverb to a suite of diagnostic effects.
Analog Audio: Positive and Negative Voltage - The microphone converts the pressure of sound waves into electrical current: high air pressure becomes a positive voltage, and low pressure becomes negative. As these voltage changes move along the microphone wire, they can be recorded (as changes in magnetic field strength) onto magnetic tape or onto a vinyl record (by resizing the grooves on the disc).
High-performance code - Adobe Audition has received a new redesigned code. This means increased speed of audio processing, accurate and smooth sound reproduction during preprocessing, the ability to work with multiple files and audio tracks at the same time, high overall performance.
Editing, enhancing and restoring audio - Any professional working with sound dreams of making the source material as close to ideal as possible. For this, special studios are being built with soundproofing, special acoustic form, and equipment. Indeed, if there is such an opportunity, then it is better to record sound in the studio. Even in this case, insignificant noises and unwanted sounds can be received at the input: a click of a switch, a weak background of a poor-quality or punctured cable, or, for example, a defect in human diction, in which some hissing sounds turn into whistling sounds. It is worth going out to record an interview, for example, in an office space - phone calls or conversations in the next room, the noise of the city outside the window, sounds of the door being opened, etc. will be added.
The only drawback to using Adobe Audition is that it is incredibly powerful with so many features that it can be very time consuming and complicated, especially when first using the product. With such a vast array of functionality, even finding the features you want to use can be quite time consuming or confusing. Thankfully, Adobe provides extensive documentation and tutorials.
Like every DAW, it takes some time and getting used to, but Logic's tools and interface just make sense to anyone who is familiar with Apple products and music tools.
I have not contacted support but given the large amount of users, I have no doubt that most problems can be solved fairly easily. A cursory search for known issues in Adobe Audition yields a support website with many workarounds posted by the official Audition team. They seem responsive and eager to continue fixing bugs and improving the application, which I take as a sign that their support is top notch, as I would expect from my experience using other Adobe products.
The user community of Logic Pro X is vibrant, responsive, and lively. There are many great forums out there where you can solve any problem you encounter, whether it's sound card latency, a certain plugin not working, audio routing, multitrack issues, or virtually anything else you run into. The community is so helpful that I'm giving Logic Pro X a 10 in this department, despite having never contacted their official support department. I've never had to, since there is such a great user community.
I mentioned earlier that I used software from Sony before moving to Audition. I really liked the Sony solution, but when I moved to Audition I found a lot more power and surprisingly, an easier-to-use solution. Working with the timeline in Audition is more intuitive for me. Audition has more effects than the Sony product had and the interface is better organized. Plus, Audition's workspace can be customized in ways I never figured out how to do in the Sony product.
We use several different audio editors, the main reason for this is to have software available to cover most staff experience.
However, we find that a good portion of new staff were familiar with Logic Pro X, meaning that there was reduced training time involved by having the software available. This was perhaps the main reason we made the purchase decision and this fact is testament to how prolific Logic Pro X is in the audio community, you'd be silly not to have it available in any business where content creation is important.
Audition makes Audio editing/production so efficient that we're able to produce audio more rapidly than with any other software.
The option to save in multiple file formats, and to save session files, makes it easy to go back and make edits to completed projects with just a few clicks.
All versions of Audition work well together, so whether you have the latest version or an older one, you can pick up any session file and edit as needed.
